Tuesday, November 29, 2011
I had one task for the day: grocery shopping. Now, I loathe grocery shopping, but I understand it is a relatively necessary evil-- unless Brad from WebVan re-emerges. Oh, Brad. Anyway, when I roused myself this morning, I glared at the world and resigned myself to my fate. But then the devil on my shoulder (who looks remarkably like my friend Pen) whispered, "Or you could go to Santa Barbara for breakfast."
Hmmm five minute drive to get a necessary chore accomplished, or spend an hour and a half winging my way north-- which would win out? Soooo difficult.
And as I sit outside on the sidewalk at Cafe Shell listening to Christmas music and basking in the warm late November air, I do try to feel some remorse for my lack of productivity. I'll fail, of course, but I'll keep trying...just as soon as I finish my pancakes.
Friday, November 18, 2011
I stood on this vista point near Solvang yesterday, and I thought to myself:
This is amazing.
This is beautiful.
I feel so incredibly free.
I'm alone here on this outlook communing with nature.
I'm just going to stand here alone and breathe this in.
Alone... and it's a really severe drop off this breathtaking cliff.
In fact, no one would hear me scream if I fell, or if I was pushed by someone lurking in the lush and glorious foliage.
Which is why I'm going to walk back to my car quickly under this extraordinarily blue sky.
Ahem. Look, I said I left my problems at home as I drove north, not my personality.
Wednesday, November 16, 2011
I think that the most successful people are not always the most innovative so much as the people best able to communicate why people need this new product, service or concept that has likely existed in other forms. Sadly, I'm always a step behind. For instance, the other night I mentioned to Pen that someone needed to create a dating service for finding single doctors. Naturally, as I planned my new venture and ultimate world domination, my quick Google search landed me on singledoctors.com. Apparently, I'm not the only one who thought it would be a good idea, and someone else clearly got there first.
Today, while loitering outside of Pink Taco waiting for my cohorts in chips and salsa diving, I stood mesmerized at the doors of The Container Store. I love the idea of this place. My brain shuts down if I have too many days of disorganization so every time I look at this store, I think that the key to my success is quite clearly more bins. How can I continue to function as a human being without the benefit of a panty box? And not just one—how will I know if I have black panties without having a box that is clearly labeled black panties? Sure, I could look, but that is such a time waster. You can't have undergarments mingling all willy-nilly. That's madness!
My writing would obviously flow much more smoothly if I could only have each and every one of the desk/contact/paraphernalia office organizers. It's the only thing holding me back! Well, perhaps not, but when I'm standing in that store, I'm absolutely convinced of it—enamored by the mere thought of it. Apparently the promise of order is the most powerful aphrodisiac you can offer me. Gentlemen of Los Angeles, you might want to keep this in mind.
Beyond my potential seduction by a Don Juan promising a neat closet for all eternity, the most fascinating thing about this is the enormous success of an entire industry based on expensive boxes and clothing hangars. There are organizational experts who have been working steadily for more than a decade. There are shows on HGTV (and similar type networks) to explain how to do this (I know this because I'm unemployed and watching them). Oprah had specials on it (and then there were spin-offs of those shows and spin-offs of those shows).
In the face of all of this, I just keep thinking, "Why on earth didn't I think of this first?" and "How do I become one of these experts?" I'm uncertain of my next step, but I have a feeling it's going to involve the purchase of a Stockholm Paper Drawer (ooh, those are pretty, and useful, and Merry Christmas to me!).
Tuesday, November 15, 2011
As will be a surprise to absolutely no one, I have difficulty being assertive in certain situations. At work, I had no problem expressing my opinion in relation to work matters. I had confidence in my abilities. Unfortunately, in social or personal situations, I am often unable to express myself. While I did go to an all girls school for six years, it wasn't a charm school (either in the etiquette sense, or the spy sense), so I really don't think that I suffer from the "ladies don't…" syndrome (though I do think that I have a propriety veil in social situations that would seem staid and reserved to others).
It's not just that I am invisible (or make myself invisible) in social situations; it's that I often don't stand up for myself. I don't make demands. I don't tell people what I want, and I certainly don't take it. Rather than risk the confrontation, I remove myself from the situation… most of the time. While this approach has always made sense to me in the past, I'm finding that it's less practical in a city like Los Angeles which is filled with people who will step up and ask for what they want and damn the consequences. These people make the connections, take the meetings, and are forward enough to offer their skills. In a sea of people, I can't picture myself ever saying, "No, look at me!" I stand in a corner and hope that someone notices how intriguingly gifted I must be (funny how this approach works poorly in both dating and future employment situations).
Having recognized this tendency, I started scouring the web for assertiveness training seminars. Most I found were part of management training. This was not wildly helpful—again, I'm assertive when it comes to work, just not when it comes to being my own advocate. I'm convinced that this is one of the reasons that many writers have agents: we're great in a room alone with a keyboard, but take us out into the world where we have to sell ourselves (or at least our ideas), and our more internal natures become hindrances rather than assets.
I even checked out actual charm schools (see this fascinating post about the Sears Discovery Charm school: http://www.missabigail.com/advice/beauty-and-charm/2011/01/sears-discovery-charm-school-introduction-to-the-1972-edition/) to see if enhancing my ability to carry on inane conversation with strangers might be the key. When that didn't pan out, I literally Googled "talking to strangers" and landed here: http://www.pickthebrain.com/blog/the-shy-persons-guide-to-talking-to-strangers/ Interesting, but it turns out I don't fear strangers, so much as I often find them frustrating and tiring (though I did like the idea that everyone is a learning experience, and do believe that many people are actually out to pillage my village).
I decided to start slowly rather than immediately trying for round two of the networking follies. I've started to be more social with people I actually know (and like). Through them I've started to acclimate myself to meeting one or two new people through clubs, or other events. One or two people I can handle—50 people make me shut down (to be honest, 5 new people make me shut down). And as silly as it sounds, I've taken one of the charm school ideas to heart—I have to start dressing like someone who is a capable adult worthy of notice. This is difficult in a city like Los Angeles where t-shirts and jeans are normal even in offices (well, not the one I used to work in, but in many others). I don't want to show up to casual events in a semi-formal, but I have started focusing on the image I present to the world. Pen and I jokingly refer to this as my social experiment: make-up on, hair done, something with style on the body when I'm out in public (and no, I don't mean George Clooney draped over me, although…). Only time will tell if this moves me forward into the "force to be reckoned with" category. It's a start.
Monday, November 14, 2011
At a recent wine club gathering (look at me being social!), the conversation turned to books we've read, ones we should have read and the "classics" that have disappointed. For instance, I can't figure out why Wuthering Heights, Portnoy's Complaint, Lady Chatterley's Lover, or The French Lieutenant's Woman are absolute musts, though I have sneaking suspicion that Meryl Streep has something to do with at least one of them. Innovation could be a culprit with Lady Chatterley's Lover—it was certainly shocking subject matter for the time. I think the novelty of style has a lot to do with Portnoy's Complaint, as it was probably quite unique when it was written. While critics at the time found it to be one of the funniest works of American fiction, with the passage of time and much duplication of style, it lost something for me. And yes, I realize that if I like Californication, I should enjoy one of its literary predecessors. All I can say is that watching the antics allows for the touching and human elements to shine through and bring balance to the absurdly lewd tone in a way that isn't always possible for me to experience as a reader. Now while I think my opinions are obviously correct, I do recognize that others may find my favorites somewhat less than inspiring, as well (fools).
What many of us did admit was that when faced with the choice between picking up one of the unread, older classics and pop literature (or chick lit, in my case) that we tended toward the latter. It left me wondering why that is the case. Is the ease of language the reason? Are the topics of modern novels more relatable? It isn't the happy ending—pop literature has its share of tragedy. What makes reading The Thing About Jane Spring (which I think is quite subversive, actually) less valued to the BBC than Jane Eyre (which I actually love)? I used to think it was the test of time, but as you can see from the list below, Harry Potter novels haven't been around for very long. Is it commercial success? There is no denying that an entire generation of kids (and, admit it, adults) have embraced them, and anything that brings people back to reading should be applauded (unless they involve sparkly vampires, and then I'm just too old to get it). What makes a novel a classic?
When the BBC began the debate on the top 100 books that everyone should read (http://www.bbc.co.uk/arts/bigread/top100.shtml), they claimed that most had only read six of the top 100. I'm happy to say that from the sampling of the room, we had far surpassed that (go team), but there are still many I have not yet tackled. Conquering the list became a goal of mine two years ago, and with this year off, I've rededicated myself to exploring the "must reads." Last night I grabbed Brave New World. Aldous Huxley, you have been warned.
This is the most recent version of the list that I could find. I don't give myself points for films I've seen if I haven't also read the book (for instance, I've seen Dracula countless times, but never read the novel). Unlike the BBC, I give half points: I've read much of Shakespeare's work, but not every piece (and I thought it was interesting that Hamlet received a solo mention at the end). Full disclosure: I have only read 52 of these to date (and still can't believe they didn't choose On the Beach for Shute instead). How did you score?
1 Pride and Prejudice - Jane Austen
2 The Lord of the Rings - JRR Tolkien
3 Jane Eyre - Charlotte Bronte
4 Harry Potter series - JK Rowling
5 To Kill a Mockingbird - Harper Lee
6 The Bible
7 Wuthering Heights - Emily Bronte
8 Nineteen Eighty Four - George Orwell
9 His Dark Materials - Philip Pullman
10 Great Expectations - Charles Dickens
11 Little Women - Louisa M Alcott
12 Tess of the D'Urbervilles - Thomas Hardy
13 Catch 22 - Joseph Heller
14 Complete Works of Shakespeare
15 Rebecca - Daphne Du Maurier
16 The Hobbit - JRR Tolkien
17 Birdsong - Sebastian Faulks
18 Catcher in the Rye - JD Salinger
19 The Time Traveler's Wife - Audrey Niffenegger
20 Middlemarch - George Eliot
21 Gone With The Wind - Margaret Mitchell
22 The Great Gatsby - F Scott Fitzgerald
23 Bleak House - Charles Dickens
24 War and Peace - Leo Tolstoy
25 The Hitch Hiker's Guide to the Galaxy - Douglas Adams
26 Brideshead Revisited - Evelyn Waugh
27 Crime and Punishment - Fyodor Dostoyevsky
28 Grapes of Wrath - John Steinbeck
29 Alice in Wonderland - Lewis Carroll
30 The Wind in the Willows - Kenneth Grahame
31 Anna Karenina - Leo Tolstoy
32 David Copperfield - Charles Dickens
33 Chronicles of Narnia - CS Lewis
34 Emma - Jane Austen
35 Persuasion - Jane Austen
36 The Lion, The Witch and The Wardrobe - CS Lewis
37 The Kite Runner - Khaled Hosseini
38 Captain Corelli's Mandolin - Louis De Berniere
39 Memoirs of a Geisha - Arthur Golden
40 Winnie the Pooh - AA Milne
41 Animal Farm - George Orwell
42 The Da Vinci Code - Dan Brown
43 One Hundred Years of Solitude - Gabriel Garcia Marquez
44 A Prayer for Owen Meaney - John Irving
45 The Woman in White - Wilkie Collins
46 Anne of Green Gables - LM Montgomery
47 Far From The Madding Crowd - Thomas Hardy
48 The Handmaid's Tale - Margaret Atwood
49 Lord of the Flies - William Golding
50 Atonement - Ian McEwan
51 Life of Pi - Yann Martel
52 Dune - Frank Herbert
53 Cold Comfort Farm - Stella Gibbons
54 Sense and Sensibility - Jane Austen
55 A Suitable Boy - Vikram Seth
56 The Shadow of the Wind - Carlos Ruiz Zafon
57 A Tale Of Two Cities - Charles Dickens
58 Brave New World - Aldous Huxley
59 The Curious Incident of the Dog in the Night-time - Mark Haddon
60 Love In The Time Of Cholera - Gabriel Garcia Marquez
61 Of Mice and Men - John Steinbeck
62 Lolita - Vladimir Nabokov
63 The Secret History - Donna Tartt
64 The Lovely Bones - Alice Sebold
65 Count of Monte Cristo - Alexandre Dumas
66 On The Road - Jack Kerouac
67 Jude the Obscure - Thomas Hardy
68 Bridget Jones's Diary - Helen Fielding
69 Midnight's Children - Salman Rushdie
70 Moby Dick - Herman Melville
71 Oliver Twist - Charles Dickens
72 Dracula - Bram Stoker
73 The Secret Garden - Frances Hodgson Burnett
74 Notes From A Small Island - Bill Bryson
75 Ulysses - James Joyce
76 The Bell Jar - Sylvia Plath
77 Swallows and Amazons - Arthur Ransome
78 Germinal - Emile Zola
79 Vanity Fair - William Makepeace Thackeray
80 Possession - AS Byatt
81 A Christmas Carol - Charles Dickens
82 Cloud Atlas - David Mitchell
83 The Color Purple - Alice Walker
84 The Remains of the Day - Kazuo Ishiguro
85 Madame Bovary - Gustave Flaubert
86 A Fine Balance - Rohinton Mistry
87 Charlotte's Web - EB White
88 The Five People You Meet In Heaven - Mitch Albom
89 Adventures of Sherlock Holmes - Sir Arthur Conan Doyle
90 The Faraway Tree Collection - Enid Blyton
91 Heart of Darkness - Joseph Conrad
92 The Little Prince - Antoine De Saint-Exupery
93 The Wasp Factory - Iain Banks
94 Watership Down - Richard Adams
95 A Confederacy of Dunces - John Kennedy Toole
96 A Town Like Alice - Nevil Shute
97 The Three Musketeers - Alexandre Dumas
98 Hamlet - William Shakespeare
99 Charlie and the Chocolate Factory - Roald Dahl
100 Les Miserables - Victor Hugo
If you don't like this list, try: http://www.jonkinsman.com/lists/list.php?id=55 This list is from Penguin Classics, and while you will see many books overlapping, it does give you a slightly different take. I have much more work to do with this list—I've only read 40.
While I'm not certain that I will manage all of the novels I have missed before the year is over (I could be swept off my feet by a handsome stranger any time now), I'm willing to give it a shot.
Sunday, November 13, 2011
Never fear, I will still be posting here! In fact, I have an event on the 18th that might just give my social skills a test. Stay tuned.